tag:blogger.com,1999:blog-34647587.post4744836233501278655..comments2008-03-19T03:56:15.215-04:00Jeffrey Pepperhttp://www.blogger.com/profile/00990997892044489714noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-34647587.post-39988943777557739142008-03-19T03:56:00.000-04:002008-03-19T03:56:00.000-04:00B. Newman, I am sure, is Beverly Newman, who became Beverly Gracey. I know this as I am in the Gracey FamilyAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-34647587.post-4098231470570712452007-09-17T14:26:00.000-04:002007-09-17T14:26:00.000-04:00Thanks, Hans!<BR/><BR/>I am going to incorporate your information into the body of the post.Jeff Pepperhttp://www.blogger.com/profile/00990997892044489714noreply@blogger.comtag:blogger.com,1999:blog-34647587.post-89046087696549720932007-09-17T13:47:00.000-04:002007-09-17T13:47:00.000-04:00Around this time (more precise in July 1946), Jack Hannah shared his room 2C-6 with his assistant director <A HREF="http://afilmla.blogspot.com/2006/12/woman-power.html" REL="nofollow">Bee Selck</A>.<BR/>Mary Satterwhite was in 2C-7, and in 2C-5 we find M. Greenberg, Yale Gracey and Thelma Witmer (bg painter) - next door to Howard Dunn, Don Griffith and Eustace Lycett in 2C-4.<BR/>Frank Bresson in 3D-14, Robert Carlson (animator) in 1F-3 (with Russ Dyson), Dorothy Link in 2F-7 (with Jack Bruner and Chuck Wheeler), Art Scott in 2A-3, Toby Toblemann (ass. dir.) in 2A-7. No Newman at that time...Hans Perkhttp://www.blogger.com/profile/12707924880609997693noreply@blogger.com